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Designed by Thom Mayne, selfproclaimed bad boy of American architecture, 41 Cooper Square looks at first glance like some giant fissured lump of steel has crashlanded amid the glass towers and brownstones of Manhattan. This vast metallic interloper hangs brooding over the sidewalk. Its main facade is slashed by two deep scars and a sneering lip signals the entrance.

Mayne says his buildings and those of his Los Angeles-based practice Morphosis as indefinable. 鈥淚f you could describe them, then why would I build them?,鈥� he says. 鈥淢y work is conflictual, just as heterogeneous cities or societies are. It picks up on the micro and macro, mirroring society, its many complications, dangers and excitement. Every building is informed by the nature of how you discuss these things, how you approach problems and the type of questions that are asked. This is what creates the architecture. Less enlightened, less adventurous people are often scared of that.鈥�

This architectural rebel also has a green streak, however. His projects, while being in-your-face, follow a strict sustainable regime that almost always includes a highly designed envelope. The San Francisco Federal building, for example, uses its shape and orientation, plus a 鈥渓iving skin鈥� that allows the building to breathe, to regulate the internal temperature and air quality.

Similarly the Caltrans District 7 headquarters in Los Angeles has a mechanically operated double skin that moves according to the weather and sun position to shield the interior from excessive heat. There is an equally exciting skin on the 16,258m2, nine-storey educational facility Mayne designed for the Cooper Union for the Advancement of Science and Art in New York City.

Located on Third Avenue between East 6th and 7th Streets, the full-block structure has reconfigurable classrooms, laboratories, studios and public spaces. It houses the Albert Nerken school of engineering and the faculty of humanities and social sciences, along with student and teaching studios that will serve the school of art and the Irwin S Chanin school of architecture.

SEMI-TRANSPARENT STEEL

Light and shadow pulse through the building via the high-performance double skin, which consists of a semi-transparent layer of 50% perforated stainless steel wrapped around the glazed envelope. The perforated steel prevents more than half of the sunlight from reaching the glazed wall, reducing solar gain significantly. Theinterior surface of the skin is dull, not reflective, to stop any bounce back of solar radiation. Some of the steel skin panels can be opened to increase light to certain spaces. In winter, Mayne says, the skin is 鈥渁 coat鈥� that protects the building from the worst of the harsh New York weather, creating a semi-temperate zone that reduces energy loss.

REVEALING SCAR

A large scar slashed out of the steel skin on the Third Avenue facade follows the curving profile of an impressive central atrium, revealing the social heart of the building 鈥� a vertical 鈥減iazza鈥�.

The roof is crowned not in steel but in a garden, an outdoor recreation space which plays a part in the reduction of the 鈥渉eat island鈥� effect and reduces the flow of stormwater into New York鈥檚 combined sewer system. During the summer, when students are on holiday, the stormwater, collected in an upper tank, is used to irrigate the roof garden. When school is in session, overflow into a lower collection tank, totalling some 70,000 gallons a year, is used to flush the toilets.

Internally, the design is aimed at encouraging cross-disciplinary dialogue among the three faculties, which were previously housed in separate buildings. In the vertical piazza, an undulating lattice envelops a 6m-wide stairway, which ascends four storeys from the ground level through the naturally lit central atrium. In fact about 75% of the building is naturally lit, significantly reducing energy requirements and making it a nicer environment for the users.

Mayne鈥檚 design demands that people meet and talk. The lifts stop only at the first, fifth and eighth floors, making for increased physical activity and more impromptu meeting opportunities

The grand stair terminates in a glazed double-height student lounge overlooking the city. On the fifth to ninth floors, informal meeting spaces are organised around the central atrium, connected by bridges across the space.

Mayne鈥檚 design demands that people meet and talk. The lifts stop only at the first, fifth and eighth floors, making not only for increased physical activity but more impromptu meeting opportunities. Secondary and disabled lifts stop at each floor to comply with access regulations and to help with moving materials and equipment.

HEATING AND COOLING

While students and staff use their legs, the building itself is powered by a cogeneration plant. Natural gas meets all of the electricity needs and the plant uses the heat generated to warm and chill water for the radiant ceiling panels and domestic hot water. Excess energy is sold back to the grid.

Radiant ceiling heating is provided in the 3620m2 of laboratories and 1430m2 of classrooms, while offices have radiant heating and cooling. With the cogeneration plant, the heating/cooling greatly reduces the building鈥檚 energy consumption compared with a conventional design.

Several design features provide a high quality of air throughout the building. In addition to the radiant ceiling panels, the laboratories have a variable air volume ventilation system and advanced fume hoods in lab spaces to minimise energy loss. Air change rates throughout the building are at variable frequencies depending upon the use of the space. Low-emission building materials and finishes (paints, adhesives, sealants and so on) have been used and all composite wood products are formaldehyde-free.

There is parking for bicycles and lowemission vehicles in the basement, while more than 80% of construction waste was recycled, as was more than 94% of demolition material from the original building on the site.

It all adds up to a rather impressive new addition to Manhattan鈥檚 collection of iconic architecture. Not only will 41 Cooper Square be the first LEED-certified academic laboratory building in New York City, if it gets platinum certification, any that follow will have a lot to live up to.

Mayne himself brushes aside the green plaudits and states that the building 鈥渁spires to manifest the character, culture and vibrancy of both the 150-year-old Cooper Union institution and of the city in which it was founded鈥�.

To the locals who pass by, it鈥檚 just 鈥渇reakin鈥� crazy, man!鈥�